Saturday, August 30th, 2008

Photo

<p>Gennifer Hirano also goes by the name Jenna Jasmine. She is 28
years old, a first-year graduate s

Gennifer Hirano also goes by the name Jenna Jasmine. She is 28 years old, a first-year graduate s

Photo

<p>Zeb Tortorici, a 26-year-old graduate student in history, works
in pornography. He is working to

Zeb Tortorici, a 26-year-old graduate student in history, works in pornography. He is working to

Battling a stigma

Students/sex workers commited to reshaping industry stereotypes

SAN FRANCISCO — The advertisement in The Daily Bruin caught Zeb Tortorici’s eye in 1999 when he was in his fourth year at UCLA studying history.

“Male models; up to $1,000/day immediate pay; great face, nice body; nude magazine/video work,” the ad read.

It took Tortorici around three years to respond and begin his career in pornography, mostly because he was worried about the safety and comfort of performing in videos with people he didn’t know. But Tortorici, now a history graduate student, says he usually performs once a month, mostly doing solo acts for gay porn movies at a price of between $200 and $400 a night.

Gennifer Hirano, also known as Jenna Jasmine, started topless dancing in San Francisco when she was 21 and a student at UC Berkeley. Her first night she made $160, and when she started dancing nude regularly at The Crazy Horse she said she was making an average of $1,200 a week.

Hirano, now a first-year student in the UCLA Graduate School of Education and Information Studies, said she quit The Crazy Horse after nearly four years of steady work and decided to go back to school. She now balances academic work with her own business – providing full body sensual massages.

Both Hirano and Tortorici say they are sex workers, a term with various definitions but at its core refers to someone who uses their body sexually in any way to make money.

But for the two graduate students, their emphasis in sex work isn’t always the cash, performing, or dancing. Their focus is changing cultural stereotypes of an industry they say is wrongly labeled as dirty, unprofessional, and dangerous – stigmas they say lead to violence, disrespect, and a subordinate role in society.

The two traveled to San Francisco this weekend for the Sex Worker Film and Arts Festival, a biannual event started in 1999. The weeklong festival began May 1 and was a combination of movies, art displays, forums and panel discussions intended to educate the public about sex workers and the dangers facing them.

Festival Director Carol Leigh, also known as Scarlot Harlot, wore a T-shirt that read “Sluts Unite!” and said raising issues and struggling for the rights of sex workers in public can be difficult.

Adorned with a beaded pink necklace and bright pink hair, Leigh said many of those in the industry don’t want to march in the streets or have a demonstration around the decriminalization of prostitution and the rights of sex workers. Instead, she said a different form of community organizing can be achieved through artistic events such as the festival.

Leigh is also on the advisory board of the Sex Worker Outreach Project, a San Francisco-based organization dedicated to ensuring the rights of sex workers, and one of the three groups hosting the festival.

Hirano started a chapter of SWOP at UCLA in January and was fueled by a desire to get funding for projects about sex work from an academic institution. SWOP hosts movies, art shows, and has weekly meetings that are open to sex workers and allies on campus.

At Dalva, a bar neighboring The Roxie theater where the festival was in San Francisco, Hirano sips a Snakebite – a mixture of pear cider and beer – and describes why she thinks sex worker activism is important at UCLA.

Not only is SWOP a place for students who are sex workers to feel safe and learn more about the industry, but it is an institution that can help educate students at UCLA who may have incorrect stereotypes, Hirano said.

Tortorici said he joined SWOP at UCLA soon after it was founded because he agreed with its mission.

“When people think about sex work or think about porn or think about prostitution ... all this cultural baggage comes in with it and all these stereotypes,” Tortorici said. “You get people making up their mind and formulating stereotypes about sex workers without ever talking to sex workers.”

As part of the annual Clothesline Project on campus this week, Tortorici and Hirano will be on a panel about the dangers of being a sex worker. Hirano is also scheduled to set up an art instillation that remembers prostitutes that were murdered by a serial killer.

During Take Back The Night, an annual event remembering the victims of rape and sexual violence, Hirano said she plans to dress up like a prostitute and wear a shirt reading “Got Consent?”

These types of events can lead to greater community understanding of issues seldom discussed and challenge mainstream perceptions, Hirano said.More Than Modeling

Last Wednesday night, Tortorici drove to a job in Studio City where the director and his boyfriend lived in a house near Mulholland Drive. Tortorici said he worked for the director before and had been called to play the part of student and skater.

He said he has worked for about 15 different directors but has never had intercourse in one of his videos.

Tortorici brought his skateboard, backpack, and laptop computer as props and was asked to provide a 50- to 60-minute solo performance where he would masturbate and use a sex toy.

He was in the couple’s extra bedroom that had been set up with lights with reflectors, and said the director used a hand-held digital camera to capture the act. After about two hours at the director’s house, Tortorici said he left with $400.

But for Tortorici – who knows Japanese, Spanish, and Portuguese – pornography performances are more than just modeling, and he says the acting is at an intersection between a creative space for production, his academic work, his interest in pornography and his political activism.

Part of Tortorici’s graduate studies is researching the regulation of sexuality in colonial Mexico and Brazil, and he says his acting naturally falls into line with his academic studies.

Totorici is vegan and says he tries to live a life that doesn’t cause suffering in any way. Tortorici, who has the word “vegan” tattooed on his right wrist, said he has recently explored alternative pornography that includes a combination of the issues of sexuality and veganism.

He says pornography has been a way for him to grow as a person, and remembers that even after identifying his sexual orientation as queer, pornography helped reassert himself as someone who could be sexual.

“It will be something that I experiment with for a long time,” Tortorici said, adding that he enjoys mixing his ideas surrounding personal, gender and political issues.

“It’s been cool to be able to merge that,” he said.

The story is similar for Hirano who says that when she dresses in a certain sexual manner – wearing fake eyelashes, wigs, and make-up – she is an entertainer, and is wearing the persona of the “Asian Princess” – a stripper and feminist.

Hirano said she became strongly involved in issues of women’s rights when she was an undergraduate and said one of the reasons she began sex work was because she was interested in the cross-section between her ethnicity and sexuality.

Both Tortorici and Hirano say their work in the sex industry is more than just modeling, dancing or performing sexual acts. They also concentrate on changing what they see as the incorrect stereotypes attached with the industry and their work.

Sex work is a human rights issue, Tortorici says.

Tortorici and Hirano’s panel, “Have All Sex Workers Been Abused?” will take place Tuesday from 1 to 3 p.m. in the Schoenberg Quad.

For more information, e-mail swop-ucla@yahoogroups.com.